Episode Chopin for Guitar. Nocturne, Op. 9, No. 2; Barrios: Mazurka Appassionata. rc-guitar It’s inevitable. Write a pretty tune for one instrument, and all. details, parts / movement information and albums that contain performances of Mazurka Appassionata, for guitar on AllMusic. Agustín Barrios-Mangoré. Download

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Only after you can play all of the lower notes–including the bass–evenly and smoothly do you add those top notes. What do you think about Zhu Liying’s solution?


You can also take your neck adapted slightly – consult a luthier if so is the safest advice. Here’s where it’s at 2: Spring I pulled it out on a whim, and I could get through it “okay. However, this particular stretch is conducted via a barre chord so you need an additional approach to develop you stretch with a barre.

I hope this helps! Once you get this movement down I think you will be surprised how manageable this tricky passage can become.

Mazurka Appassionata, for guitar

One of this composer’s most Chopin -esque compositions, the Mazurka Appassionata keeps its triple meter in the forefront while not neglecting the wistful melody that recurs as a refrain, or the sometimes darker melodies with which it alternates. Do you really think that he had a modern instrument in mind when he composed the piece?!! So try this- first, in the 10th mazugka, leave the 1st finger out entirely, just get your 2nd and 3rd fingers well placed on the F and A, and then get the reach with your 4th up to the B going ok.

This video was for the Barrios WorldWide Web competition and the judges must have approved, she was one of the 20 semifinalists. Personally I’ve always gone for a high concert action but as I get old, I know it’s “horses for courses”.


I actually was playing this piece last night pretty comfortably after not playing it for about a month. Alpassionata Featured Composition Noteworthy. Guitar Classics from Latin America, Vol. Here’s where it’s at 3: Our website is made possible by displaying online advertisements to our visitors. When you get that straightened out- there ya go! This is one of his most beautiful pieces!

Sexy Trippy All Moods. It’s the same stretch really. This is what did it for me. Gitarren von Richard Jacob Weifigerber. Now to play it in context- in moving from the previous measure, contrary to what normally would be recommended procedure, don’t move for the low B as your first step, even if it is the first note you need prepared for sounding. I’ve played this Barrios piece and studied many of his works and I’ve recorded a few. Also practise your pivot-stretch patterns hope mazurla know what I mean starting on the 9th position and gradually move down the fretboard.

Composite treble strings might prove more of a problem than nylon I use both on different instruments – composites can have huge tension despite their slim width.

Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp. Play scales whilst holding down a Barre for instance.

I think that the problem may bxrrios in trying to to assimilate too much at once. South American Guitar Classics. I’m wondering if anyone else has been stumped by this piece, if you think it’s worth continuing to struggle with, and if anyone has any insights into left hand mechanics that would allow me to attain the reach that’s called for. That’s the configuration you want, so remember the internal “feel” of it. AllMusic relies heavily on JavaScript. Classical Guitar Skip to content.


It seems there’s really no easy solution, it’s just a wicked reach! Over the next few months I’d try it and put it away. Start by moving your 2nd finger forward from the E to the F, and then barros the tip of your 1st finger on the low B- in a “side” placement that allows for the curvature of the arch in your 1st finger that you will need.

The Complete Columbia Album Collection. Thanks for the time! I’ve always debated the problem: Yes, develop your stretch. Then, around June everything worked, and I could do the stretch on my mm; Narrios ended up performing it in a master class that August.

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Share on facebook twitter tumblr. Appassilnata you tried this exercise: I’ve done a bit more work on it and I’ve decided that I’m going to press on with the piece. I think two things happened: The lower your string action height then the more chance you have a making the stretch! Classics of the Americas, Vol. I’m not in front of you right now to judge what might be the problem, could be LH technique, your instrument, the size of baarrios hands etc.

Jazz Latin New Age. Thank you for posting this, I might try to play the whole piece now.

Do you have a stock neck? Lo Cant dels Aucells. Could I ask you to introduce yourself here?